MUSC0VITE CULTURE AND S0CIETY II   

I. UNIQUE ASPECTS 0F OLD RUSSIAN CULTURE
   A. PERSIAN & 0RIENTAL INFLUENCES
   B. THE SK0M0R0KI
   C. `H0LY F00LS' - HER0ISM & MADNESS
     1. VASILI, IVAN IV, & `ST. BASIL'S'
     2. CAN0NIZATI0N & SUPPRESSI0N
II. RUSSIAN ARCHITECTURE
   A. KIEV: HAGIA SOPHIA (HOLY WISDOM) 1037
   B. NOVGOROD: HAGIA SOPHIA, 1052; ST. GEORGE'S, 1130
   C. VLADIMIR-SUZDAL: CHURCH OF THE INTERCESSION (ON THE
      NERL) 1167-71
   D. WOODEN CHURCHES AND "TENT" CHURCHES
   E. MOSCOW KREMLIN:    CHURCH OF THE ASSUMPTION, 1479
                         CHURCH OF THE ANNUNCIATION, 1490
                         CHURCH OF THE ARCHANGEL MICHAEL, 1509
                         IVAN THE GREAT BELL TOWER, 1505-1600
   F. HOLY TRINITY/ST. SERGEI MONASTERY: 
      CHURCH OF THE ASSUMPTION, 1585
   G. "ST. BASIL'S" CATHEDRAL (MOSCOW'S RED SQUARE), 1555-1560
   H. CHURCH OF THE TRANSFIGURATION AT KIZHI, 1714
II. RUSSIAN ART AND MUSIC
   A. VIRGIN OF VLADIMIR (1136-KIEV, 1155-VLADIMIR)
   B. CHURCH INTERIORS: FRESCO, ICONOSTASIS, DEESIS ROW
   C. RUSSIAN CHURCH MUSIC: MALE VOICES, NO INSTRUMENTS
   D. ICON-PAINTING
      1. NOVGOROD SCHOOL (DEEP REDS AND YELLOWS): ST. GEORGE,
         BATTLE BETWEEN NOVGOROD & SUZDAL, BORIS AND GLEB
      2. MOSCOW SCHOOL: BORIS & GLEB, VIRGIN OF THE DON (1380)
         a. FEOFAN GREK (THEOPHANES THE GREEK)  fl. 1375-1405:
            ST. MACARIUS, THE TRINITY
         b. SCHOOL OF FEOFAN: TRANSFIGURATION, ASSUMPTION
         c. ANDREI RUBLEV, fl. 1400-1420:
            ST. PAUL, TRANSFIGURATION, THE TRINITY
         d. DIONYSIUS (c. 1500): METROPOLITAN ALEXIS,
            CRUCIFIXION
         e. DIONYSIUS' SON THEODOSIUS: LAST JUDGMENT (1508)
   E. THE DECLINE OF ICON-PAINTING AS ART
      MUSCOVITE POWER & WEALTH LEADS TO GAUDINESS & GLITTER